㆗megavideo㆙ Gretel & Hansel Movie
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Country Ireland; Duration 87 minutes; genres Thriller, Fantasy; Average rating 6,3 of 10 Star; Release year 2020; Casts Charles Babalola, Samuel Leakey. Gretel hansel. Gretel & hansel reddit.
I was interested in seeing this movie but now theres a feminist twist theyre putting in and now it lost my interest. Sorry film, but you dont deserve my money. Gretel & hansel stories trailer. Gretel & hansel tropes. Gretel & hansel (us) cinema – january 31. Gretel & hansel budget. Gretel & hansel 3 game. Gretel & hansel plot. Gretel & hansel imdb. « The spirit is evident, but something holds you back » 😭. Gretel & hansel walkthrough. Gretel & hansel wiki. Gretel & hansel tropes. Why are you praising overhyped horror movies like Get Out that are meant to demonize people like you? Lol. Also, I don't know why this movie is called Gretel and Hansel, but if it's for some weird feminist gimmick then that's pretty stupid. Gretel was the main character of the original story anyway, Hansel and Gretel just sounds better than the other way around.
Gretel & hansel wiki. 2:13 Idk why, but this shot is just so creepy. People being sliced open, tossed around and chased, all in broad daylight. Gretel & hansel reviews. Gretel and hansel review. Gretel & hansel 3. Gretel & hansel box office. Gretel & hansel google docs. A lot or a little? The parents' guide to what's in this movie. It's possible to be overly suspicious and practical; it's not necessarily true that "nothing is given unless something is taken away. " Once you find your own inner strength, you're more able to take action. Positive Role Models & Representations While movie deals with strong women characters, they're not necessarily positive ones. One is certainly evil (she eats children), and young character must choose between darkness and light -- and it's uncertain which path she'll choose. Gretel starts out being suspicious and practical to a fault; she's defensive, protective. But as story goes on, she finds her inner strength, is able to take action. Some scary, shocking moments. Creepy nightmare scenes. A zombie-like monster attacks the kids; Gretel knocks its eye out with a rock, and it's shot in the head. A bucket of guts and body parts is dumped on a table, with a severed baby's arm tossed on top. A character is burning/on fire, screaming in pain. Blood seeps through sheets during a nightmare. A character inserts a red-hot poker into his mouth with the intention of killing himself (nothing is shown). A horse keels over and dies. Black, blood-like goop shown in several scenes. A man asks a teen girl whether her "maidenhood" is "intact" (i. e., whether she's a virgin). She gets her period in one scene, wakes up looking uncomfortable, is then shown washing her clothes. Drinking, Drugs & Smoking Two hungry kids eat mushrooms from the forest floor and have a brief, fairly mild "psychedelic" trip. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews Adult Written by MomK48 January 31, 2020 Definitely not PG-13 Umm I was freaked out before the show even began. R rated scary trailers I wasn’t expecting... we ended up walking out shortly after it started, too creepy, ve... Continue reading Parent Written by SJ R. January 31, 2020 Please don't see this This is definitely NOT a show for kids. It is extremely disturbing and dark. It was also really hard to follow as far as a story line goes. Very strange and... Continue reading Teen, 14 years old Written by SamN1230 January 31, 2020 Teen, 15 years old Written by ellajojo February 1, 2020 Creepy and weird It was the weirdest movie I have ever watched. I feel like the scary parts were all in the beginning, and some parts were very disturbing. Satanic symbols were... Continue reading What's the story? In GRETEL & HANSEL, it is a time of famine and hardship. A widow, at her wits' end, throws her children out of the house to fend for themselves. Older sister Gretel ( Sophia Lillis) takes charge of her younger brother, Hansel ( Samuel Leakey), but it's not long before they get hungry. A hunter ( Charles Babalola) helps them along, and soon they find a house with an inviting feast laid out on the table. An old woman ( Alice Krige) invites the children in and allows them to stay, for a little while, in exchange for doing some chores. Gretel fears that something is wrong, but then the old woman starts teaching her about how to unleash her inner, hidden strengths. Everything seems to be going fine... until Hansel disappears. Is it any good? This strange, austere, artful, violent retelling of the old fairy tale is one of those movies that's more moody than scary. It won't be to every taste, but it's weirdly poetic and mesmerizing. With Gretel & Hansel and two previous chillers ( The Blackcoat's Daughter, I Am the Pretty Thing That Lives in the House), director Osgood "Oz" Perkins -- the son of Psycho star Anthony Perkins -- has established himself as a confident, patient creator of chills who takes risks and is decidedly out of the mainstream. His focus on framing, textures, shapes, silences, and music -- rather than jump scares, shocks, or screaming -- makes his films a little harder to sell. His Gretel & Hansel, with Gretel now coming first in the title, is also a story about women. Triangles permeate the film, suggesting the strength of both the witch and Gretel, and Perkins plays around with other recurring themes and symbols, too. The overall tone can feel a bit academic and perhaps a bit chilly, but the casting saves the day. Lillis, who was so delightful and spunky in the two It films, warms up her scenes with her character's younger brother, and Krige (the Borg Queen in Star Trek: First Contact) has a slithery quality that makes her witch somehow hypnotic. The throwback electronic music score by French composer Rob also helps create an unsettling, otherworldly quality. But overall, this is a movie about a young woman moving from a defensive position in the world to a more powerful offensive one. Talk to your kids about... Families can talk about Gretel & Hansel 's violence. How much is shown and not shown? How did it make you feel? What's the impact of media violence on kids? Is the movie scary? What's the appeal of horror movies? How does this movie compare to the fairy tale? Why do we tell fairy tales, and why are they passed on from generation to generation? Gretel says, "nothing is given without something being taken away. " Do you think that's true? Why or why not? Do you think the movie has strong female characters? In what ways are their strengths shown? Do you consider them role models? Themes & Topics Brothers and Sisters See all Our editors recommend Brisk, outrageous action movie has tons of witchy violence. '90s horror movie isn't gory but is still terrifying. Tense monster movie is loud, hectic -- and scary. Remake of Japanese horror film is terrifying and creepy. Fascinating fractured fairy tales grow darker, tenser. Favorite tales get grim, gothic treatment and stylish art. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.
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This is amazing Alex, I can't wait for your album in September <3. Geez. the aggressively centered shots actually HURT my eyes just watching your clips. GIVE US SOMETHING TO MOVE OUR EYES FOR. Gretel & hansel cast. Gretel & hansel budget. Gonna watch Man Iron tonight. Then Peach and the Giant James. Movie Review Beware of old women with treats. Granted, in the grim land that 16-year-old Gretel and little brother Hansel are growing up in, “old women” and “treats” seem, at first, like relatively benign concerns. Oh, it might’ve been a nice place at one point. But lately, the region’s most popular pastime has been to, well, pass on —horrifically, most often. Going insane is a close No. 2. And if you’re not killed off by your crazy relatives, there are always the monsters to worry about. Why, ever since their own mother kicked them out of the house (slamming a hatchet into the dining room table for emphasis), they’ve been on the run from all manner of horrors. One night Gretel and Hansel accidentally bunk with a zombie. Another they spent out in the woods, shadowed by things wearing very strange hats. And they’re constantly harassed by the worst monster of all: hunger. When their mother told the two to take a shovel out into the woods and dig their own graves, maybe she wasn’t being peevish, just realistic. With most everything in this land seemingly out to kill you, you’d think that Gretel and Hansel would’ve given the creepy, dimly lit cottage a wide berth. But when they peeked inside and saw all that food, it was pretty much game over—at least for hungry Hansel. The home’s owner clearly liked children, too—or, perhaps, skilled and playful pigs. Why else would the slide out front smell like bacon? Indeed, the lady of the house seems thrilled to see her new visitors, complaining not a whit that Hansel broke in and started helping himself to all her sumptuous victuals. Why, she loves children. Can’t get enough of them. Indeed, she would like nothing more than to have them for dinner. Er, have them over for dinner, of course. In fact, she suggests, why don’t they stay a while? Eat a little food. Put some meat on those bones. Why, Hansel is just the most scrumptious little boy. And Gretel … well, the old woman can tell that Gretel is special. Indeed, she sees something of herself in the girl. A special magic, you might say, that, like a fire, just needs a little time, a little air, a little fuel. The old lady’s house isn’t made of gingerbread. The food at her table never seems to spoil. But Gretel knows—at least at first—that something’s rotten in this house. Positive Elements For much of the movie, Gretel’s a pretty good big sister under the most trying of conditions. When Hansel and Gretel’s mom forces them to leave, Gretel, though she’s only 16, becomes a surrogate mother of sorts, and a pretty decent one. And even if her brother can be a pain, and even though she does complain at times that she has to “share everything with him, ” Gretel doesn’t want her brother to get, y’know, eaten. Spiritual Elements If you’ve not heard the old fairy tale of Hansel and Gretel spoiler warning: The old lady is a real witch. What kind of witch? Even the movie doesn’t know exactly. The story seems to want its gingerbread cake and eat it, too. Oh, the witch is bad, that’s for sure. But the film suggests that her powers—like the powers that are beginning to stir inside Gretel—are naturalistic: They simply are, and you can either ignore them or let them flourish. Still, we do see an upside-down pentagram carved in a tree near the witch’s house. And the witchcraft we see practiced here seems far, far more malignant than anything in, say, a J. K. Rowling novel. The magic that the old woman possesses seems, stylistically, to be a blend of pagan, occult and fairy-tale motifs. Moreover, an old legend suggests that these abilities, called sometimes a “second sight, ” were given to some. Inconsistent? Yes. But the tale suggests that a man took his sick, beautiful baby up to a mysterious, magical practitioner for healing, and that’s exactly what the darkly clad enchantress gave the man and child. But in place of the disease, the magician gave the baby these powers—powers that were either evil in themselves or, at least, turned the child evil. Powers of “darkness, ” the movie calls them, even if it seems unable to commit to saying whether the magic we see is inherently malignant (possibly because it seems to be angling for a sequel). Christianity is alluded to, but not very positively. Gretel gripes that the local cleric takes most of the area’s food as she talks with an old man in a room festooned with stained glass. Gretel says that her father has “gone ahead to his reward. ” When the siblings first glimpse the old lady’s food spread, one says that it’s “heaven. ” The old woman refers to the Creator as a “she. ” We see and hear stories about “ghosts. ” Trees and other forms of wood obey magical directives, and someone seems to materialize from a pool of bloodlike black liquid. [ Spoiler Warning] Gretel’s emerging magical powers blossom fully by the end of the story. She seems determined to use them in benign and beautiful ways, rejecting the evil trajectory of the witch who entrapped and mentored her in her skills. But when her fingers turn black near the end, it’s hard not to see it as a suggestion that Gretel’s good intentions may yet be corrupted by the dark magic within her. Still, Gretel’s use of magic seems to free the souls of children whom the previous witch has both eaten and whose souls she’s apparently kept bound to her as well. Sexual Content When an old man interviews Gretel early on, it’s ostensibly for a housekeeping position. But he asks pointedly and repeatedly whether she’s a virgin or not, and there’s a subtly creepy reference to how she should deal with the man’s “guests. ” Gretel’s mother is furious that Gretel didn’t make more of an effort to get the job. “He didn’t need a housekeeper, ” Gretel tells her mom, her insinuation clear if not clearly spelled out. Gretel and Hansel meet with a kindly huntsman who points them in the direction of others of his ilk. They’re good men, he says. But he also suggests that Gretel is vulnerable to being seduced or misused by, presumably, less scrupulous men she might encounter. The man cautions Gretel of “wolves” along the way, too—a reference, it would seem, to the Little Red Riding Hood fairy tale and (what some say are) its underlying sexual themes. Gretel has her period at the old woman’s house (we see her looking underneath her bed sheets), and she goes to the river to wash the menstrual blood out of her clothes. A vision she has also seems to subtly echo menstruation. Gretel takes a bath, but all we see are her knees and a bit of legs. Violent Content Cannibalism is an inescapable part of the original Hansel and Gretel fairy tale, and the film certainly leans into that aspect of the story. A witch dumps a load of organs and entrails—indistinguishable en masse, but still slimy and bloody—onto a table, then adds a fat, bloated arm to the mix. (We see other such appendages in a basket. ) The witch pulls a long lock of blond hair from her mouth, decorated by a tiny bow at the end. Gretel discovers that the food they’ve been eating all this time was made, magically, of dead children. We see several kids walk, in a trance, to their doom: Two are led into a large stone building, and as we’re told what happened to them, we see telltale red smoke billow from the chimney. Shadowy figures talk about sharpening saws that’ll cut through bone. Someone is set on fire and immolated—eventually falling into pieces and onto a magical barbecue. A zombie-like thing is shot in the head with an arrow, apparently “killing” him. (The wound is bloodless, but obvious. ) In flashback, a man begins to stick a white-hot poker into his mouth—a form of magically-induced suicide, it’s suggested. We see a horse, from a distance, collapse grotesquely even as we hear its bones breaking. Gretel has loads of macabre visions featuring dead little children, black-bleeding corpses lying underneath sheets, and a girl whose head falls off. Crude or Profane Language Gretel blurts out the word “h–, ” which Hansel repeats (chastising her for swearing). Drug and Alcohol Content A very hungry Gretel and Hansel eat some mysterious mushrooms in the woods and get quite high. The old woman and Gretel both concoct and drink a potion or two. Other Negative Elements Gretel vomits in a receptacle. The old woman digs a huge hole in the woods for some reason, and she seems to retch into it as well—which somehow facilitates a physical transformation in her. Hansel relieves himself on trees a couple of times. A huntsman suggests that the very dirty little boy could be mistaken for “compost. ” Gretel is not always the kindest of big sisters. And the witch plays on Gretel’s sisterly struggles by suggesting that she needn’t be weighed down by her sense of responsibility to her tag-along little brother. Conclusion Director Oz Perkins (son of Psycho star Anthony Perkins) has carved out a niche for himself, crafting a handful of visually striking (if narratively dubious) horror flicks. Gretel & Hansel follows close to form. In an interview with Entertainment Weekly, he said that he wanted to turn this fairy tale into more of a coming-of-age story. “I wanted Gretel to be somewhat older than Hansel, so it didn’t feel like two 12-year-olds—rather a 16-year-old and an 8-year-old, ” Perkins said. “There was more of a feeling like Gretel having to take Hansel around everywhere she goes, and how that can impede one’s own evolution, how our attachments and the things that we love can sometimes get in the way of our growth. ” Indeed, the witch in the movie tries to encourage Gretel’s “evolution, ” telling her to shed the things that “want you as you were, rather than who you were meant to be. ” That’s a message very much of the age—and a very destructive one, as well. Today, secular culture tends to think of individuals as flowers: We’re meant to bloom and be beautiful and radiant—whatever “beautiful” and “radiant” means to us. And as such, we have not just the right, culture further suggests, but the moral obligation to push against anything that might keep us from blooming as fully as we possibly can. So while the movie doesn’t support anyone eating Hansel, it does sympathize with the desire to get rid of him. After all, Gretel can’t bloom with the little boy (who thwacks away at trees with his insensitive hatchet) blocking all of the film’s paganesque, female-centric sun. But here’s the thing that we often forget: In nature, flowers are merely the intro for a plant’s main purpose, the preamble to fruit, to the grain, to the seeds we need to keep on living. Flowers take, by design. But plants give. They feed animals, the ground and people, too—and in their act of giving, they perpetuate life. The Christian faith is predicated on sacrificial giving. The faith’s Founder demonstrated the ultimate act of sacrifice at Calvary, and myriad Bible verses exhort us to do the same. Yes, I think God wants us to grow in our own gifts. He wants us to realize the potential He gave us. But that growth has a greater purpose: to be better able to give to others. I think even the film itself is uncomfortable with its own message. After all, the main spokesperson for self-actualization also likes to eat little kids. Not a character to be trusted, methinks. And Gretel is far more winsome and likable when she’s in the role of the giving older sister (even though we understand how hard it is) than when she’s exploring how to, as Perkins says, “evolve. ” Gretel’s evolution leads, inherently, to a discomforting and ambiguous ending. It’s as if the movie, while trying to convey one point, can’t completely avoid the more profound truth below the surface. And that leaves us with a messy movie indeed—one with ambitions that go unrealized. Filled with creepy occultism, Gretel & Hansel is made of gingerbread: Alluring to look at, but structurally and morally hollow.
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Poor Sophia Lillis. First a killer clown and now a crazy witch. Gretel & hansel soundtrack.
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